Archive for May, 2008

That dirty, rotten, no good, low down, mother trucking son of a beech tree!

I bought Michael A. Stackpole’s novel A Secret Atlas because, well, I’d found his podcast on writing to be the bee’s knees (So what if I’ve been reading a lot of Miss Snark? Go ahead, shoot me with a clue-gun!). In other words, the only writer’s info that I’ve found to be more helpful were Miss Snark herself, and Holly Lisle’s over 100,000 words of free writing articles (links are on the left hand side- don’t ignore the FAQs). So yeah, in the top three. And believe me, there’s a lot to compare it to.

So anyway, I picked it up a few months ago and stuck it in my TBR pile. Last Friday, I picked it up and started reading.

Ok. Nothing special. A little too much narrative, too many POV changes (though always in separate chapters, no hopping), and not enough character building for my taste. That’s not to say that it wasn’t well written, just that it wasn’t to my taste.

So, I push on. After all, I highly respected and appreciated his advice, and so I was going to finish the book and then simply not move on to the sequel.

About half way through, I start getting attached to the characters. Yeah, it’s a lot farther on than it should take, but still. And the plot hasn’t even been fully declared yet, but it’s starting to form. “Good”, I think, “at least I should enjoy the rest of it”.

Last 1/4 of the book things are starting to pick up. Very interesting things are happening, and I’m thinking “Oh no. Now I’ll want to read the sequel. This has obviously started so slow because it should have been a 1500 page book, not three 500+ page books. No, I will be strong. After all, it’s not like this particular character is enough to carry off another whole book for me.”

And then, he does the unthinkable. He kills off my favorite character. The character that I refused to put the book down no matter how bad I had to pee (I mean, sleep/work) if that particular character’s chapter was up next.

And he does it brilliantly.

Son of a beach.

So, yeah. The circumstances of the killing and the hints of how that death will change the world mean that I have to pick up Cartomancy. Gee, thanks Mike! I gotta go shell out more money now.

Now- for those who are unfamiliar with Michael A Stackpole and/or his work, here are a few tidbits.

1) His website is Stormwolf.com – not his name.com

2) I have not signed up for his newsletters yet since I was unaware of their existence.

3) You may have issues with his website. My computer at work freezes up every time I try to load it, yet I have no problems at home. No idea why this is since I use the same browsers here and there.

4) I’ve never read one of his Merlin Bloodstone books, but I did read his MB short story in an anthology that I’ll likely be giving away at some point. It was one of only two stories in the ENTIRE ANTHOLOGY that I actually liked. He has it available for download for $2 in his store. I’ll probably pick up one of the MB books when my TBR pile is shorter.

5) Michael A Stackpole, Holly Lisle, and Miss Snark all have one thing in common (besides being helpful)- they all do that “Short answer: blah blah, Long answer: blah blah blah blah” thing. I don’t know why I think that’s interesting.

Now, I have to go off and listen to several of his podcast episodes again to get that address he wanted postcards sent to. I bought the postcard before I bought the book, and I didn’t address the postcard! Idiot me.

*now taking donations for brain transplants- and thanks Wolf, but I’d rather have a less frightening one*

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I finally worked my way down my TBR pile to approximately 9 books left, plus classics.

So what do I do? I hit a used book store, of course!

Picked up Shopaholic Takes Manhattan (hoping her books don’t need to be read in order since I’ve never read any of the other Shopaholic books- but Miss Snark likes them…), Nora Roberts’ Irish Dreams, Piers Anthony’s Firefly- a writer friend says he’s funny in a sarcastic sort of way, 3 of the Wheel of Time series (I always read brother’s copies, and can’t afford to buy the whole series new), A Christmas Carol (only ever read it in school with the school’s copies), Jonathan Wild (looked good), Little Women (would you believe that I’ve never read it before?).

Not too bad for $29. Not great either, though, as I’m used to used books running half this price, but whatever.

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Did your characters grow up with a never ending stream of admirers? Does your heroine have a flat stomach? Does she consider this aspect of her life?

For most of my life, when I would read a character discussing or ruminating on all of her boyfriends in highschool or smoothing her hand over her flat stomach, it would pull me straight out of the story.

Initially, I thought it was just because I was spotty and fat (still am) and couldn’t wrap my mind around the thinking of someone who was thin and pretty and always had been.

When I got into writing, I shrugged it all off with the assumption that the author was also spotty and fat, and didn’t begrudge them playing in fantasy. After all, a lot of fiction is simply who we want to be, or what we want to do.

After I’d immersed myself in the writing world for quite some time, I came to the conclusion that the authors were simply delivering what the public wants. Again, I shrugged it off. We all make concessions if we want to be published and/or develop a following.

Still, every time I read about some poor heroine fending off 5 hotties and still can’t catch a good man, it rips me straight out of the story.

It took me a while, but now I think I understand what’s happening. Eventually, I found that I was correct in that the worst offenders tended to be like me- on the heavy side. Conversely, many of the naturally thin authors that I read did not make the grievous mistake of pointing out how thin, pretty, and/or popular their protags were. Although they always made a big deal out of the rolls of flesh on overweight characters.

Again, I first assumed it was the whole fantasy thing. Now, I may be wrong about this, and it’s just a theory. But. I think writing like this goes back to the “do your research, but don’t let the reader see your research” rule.

When we try to put ourselves in the place of our characters, we have to imagine everything from waist measurement to the scar you (s/he) got from learning to ride a bicycle. The difference is- you don’t need to write about it. This is all information that is transmitted indirectly because it’s something that shapes who your characters are, but it is not what they are. Just as we don’t need to know every tiny detail of life during Regency England to read a Regency and enjoy it.

If your protag puts on a tight, little dress, your readers will assume that your character is (A) a girl, (B) thin, even if not a knock-out, (C) going somewhere appropriate to wearing a tight, little dress. We don’t need to see her think about how hard it is to be a woman with a flat stomach and going to a club/party/restaurant. Of course, if your character is not one of the above things, then that information needs to be transmitted at some point such as “Paul slipped on a tight little dress and watched his beer gut stretch the fabric to its limits. ‘Ah’ He thought, ‘What a lovely evening to attend a funeral’”. But, yanno… on average.

So tell me, do your characters think about the exact coffee shade of their skin? Ruminate about the meaning of their third toe in their religion? Imagine how hard it would be for a heterosexual to understand their homosexual lifestyle? Anyone?

Actually, the third toe would be funny. Please send me a copy of your book if you do this.

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